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None where you support and someone else stars.U( )Guidepost #2 What Are You Fighting For?J* 0( (sOnly by each actor making the strongest choice of what s/he is fighting for in every scene can a play come to life.tUt( )Guidepost #2 What Are You Fighting For?J* 0( (How do you achieve balance if everyone is in there pitching hard for what he s fighting for?]U]( )Guidepost #2 What Are You Fighting For?J* 0( (zThrough Relationship Through the give and take of relationship Through consideration for the other characters in the scene{U{( )Guidepost #2 What Are You Fighting For?J* 0( (HThrough your sensitivity to their reactions to what you are fighting forIUI( )Guidepost #2 What Are You Fighting For?J* 0( (\Through an increased awareness of the others and how you affect them and how they affect you]U]( )Guidepost #2 What Are You Fighting For?J* 0( (AAn Actor is looking for conflict. Conflict is what creates drama.BUB( )Guidepost #2 What Are You Fighting For?J* 0( (3Maximum conflict is what you should be looking for.4U4( )Guidepost #2 What Are You Fighting For?J* 0( (pWho is interfering with your getting what you are fighting for? Do battle with her/him woo him/her charm her/himqUq( )Guidepost #2 What Are You Fighting For?J* 0( (Find as many ways as you can to go about getting what you are fighting for. The more ways you find, the more interesting your performance will be.U()Guidepost #2 What Are You Fighting For?J* 0( (All of life is a fight: we always want something. The actor needs to find out what the basic fight is in every character in every scene.U()Guidepost #2 What Are You Fighting For?J* 0( (TRemember: All of the guideposts are ways of creating and carrying out relationship.(UU ((J()Guidepost #2 What Are You Fighting For?J* 0( (tQUIZ HINT: Beware the BOLD and their neighbors  by them.(;U ((/(/  ! 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