JS (#13467) / CWL (#12309) /ENGL 451 (#12788)
Jewish Literatures of the Americas
T/TH 4:10-5:25
HUM 381
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| Kitty Millet | Jewish Studies Office: HUM 415 |
| Web and Email: kmillet1@sfsu.edu ; Phone: 415-338-3154 | Jewish Studies Phone: 415-338-6075 |
| Office: HUM 426 | Jewish Studies Email: jewish@sfsu.edu |
| Office Hours: T 2-3:30; TH 11-12 |
| This course surveys the Jewish literatures of the Americas, paying special attention to those traditions not widely known in the United States. It explores these literatures by focusing on the imbrication of Jewish identity with surrounding cultures. Students will examine novels, short stories, memoirs, and poetry, originating in Latin America and Canada in relation to their U.S. counterparts so that students can contrast the values underpinning these diverse traditions. Through a representative sampling of North and South American Jewish literatures, students will be able to construct a basic schemata of the concerns, issues, and shape of the Jewish literary tradition in the Americas of the twentieth- and twenty-first centuries. |
Students should be able to
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| 4 Exams (best 3/4; includes take-home exam with partial Segment III assessment). | 75% |
| Paper (5-7 pages; due: 5/08). | 15% |
| Annotated Bibliography (2 pages; due: 4/12). | 10% |
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| Ghost Writer. Philip Roth. | Yiddish Policemen's Union. Michael Chabon. |
| Fugitive Pieces. Anne Michaels. | Apprenticeship of Duddy Kravitz. Mordechai Richler. |
| Centaur in the Garden. M. Scliar. | History of Love. Nicole Krauss. |
| Book of Memories. Shua. | |
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Required PDF files |
PDFs available at ilearn |
| Gerchunoff excerpts #1 | Gerchunoff #2 |
| Lispector excerpts | Timmerman excerpts |
| "Odysseus' Scar." Auerbach. | |
| Assignments: | ||
| Assignments come from required texts, handouts distributed in class, and occasional readings from e-texts readily available either on the web or at ilearn. Be sure to have assignments completed before coming to class and to format these assignments according to MLA. I won't accept handwritten assignments so don’t try.
I don't not accept late papers or give make-up exams. If you miss a quiz or writing response, you’ll take it as a loss. I won’t waive this policy except for extreme circumstances with proper documentation. If you’re having difficulties with any of the assignments, come to see me asap. Don’t debate about it; come to my office hours. |
I wish to make this course as accessible as possible to students with disabilities or medical conditions that may affect any aspect of course assignments or participation. You are invited to communicate with me at the beginning of the course or at your discretion about any accomodations that will improve your experience of or access to the course. You can and should also contact the Disability Resource Center at 338-2472 (Voice/TDD).
Borderline grades are resolved on the basis of “effort,” e.g. preparation for and participation in discussion; care and thoughtfulness in preparation and presentation of assignments. This course is not a composition course; the student learning outcomes for this course are significantly different from those articulated for composition and GWAR courses. While there is some overlap in the segment III and GE assessments of student writing, we will not engage in small group drafting or substitute writing exercises for lectures and classroom discussion. Although I will identify and assess conceptual and technical errors in your writing, I won't have time in class to address how to fix these errors except in the most general of terms. If you need help with certain errors, you're welcome to come to my office hours to discuss strategies for improvement. |
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| Plagiarism: | ||
| Any student who uses the words or ideas of another person, be it author, critic, or another student, without attributing those ideas according to MLA standards, will receive a No Credit for that paper and will not be allowed to revise; a student who turns in a paper that is substantially or completely written by someone else will receive No Credit for the course. | In either case the student will be reported to the SFSU Student Discipline Officer, who may take further action.
Students should also consult with the teacher about improper attribution. |
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| Attendance Policy: | ||
| Since class meets once a week and I cancel class for Jewish holidays, course attendance is particularly important. If you miss more than three classes, I will lower your final course grade by 1/4 step for each additional absence. Thus if you earned an“A,” and you missed four classes, your final grade would be “B+.” | Attendance for the entire class period is also required; if you leave early or arrive late chronically, I will mark you as absent for those class sessions. |
Tentative Schedule:
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| 1/24 | Jewish Writing of the Americas | Rdg: Apprenticeship of Duddy Kravitz, 1-29 |
| 1/26 | American Anxieties Part I, Assimilation |
Rdg: Kravitz, 30-0 |
| 1/31 | Immigrant Experience | Rdg: Kravitz, 264-end |
| 2/02 | Jews and Race | Rdg: Book of Memories. 1-153 |
| 2/07 | Part II. Assimilation, Remembered Experience | Rdg: Book of Memories. 155-end |
| 2/09 | Yizkor tradition | Study Guide Exam 1. |
| 2/14 | Exam 1 | Rdg: Ghost Writer. 3-29 |
| 2/16 | Part III. Assimilation, Invented Experience | Rdg: Ghost Writer. 29-155 |
| 2/21 | Holocaust as a background motif |
Rdg: Ghost Writer. 156-end |
| 2/23 | Holocaust as a foreground motif | Rdg: History of Love, 3-207 |
| 2/28 | Literary Intersections |
Rdg: History of Love, 208-end |
| 3/01 | Alma and Leo | |
| 3/06 | Exam 2 | Rdg: Yiddish Policemen's Union, 1-51 |
| 3/08 | Part IV. Assimilation, Invented Experience | Rdg: Yiddish Policemen's Union, 52-311. Suggested Paper topics for Final Paper. |
| 3/13 | The Conflict | Rdg: Yiddish Policemen's Union. 312-end |
| 3/15 | Chosenness | Rdg: Fugitive Pieces. 5-195. |
| 3/20 | Spring Break | |
| 3/22 | Spring Break | Use ilearn course page to access the DIVA video. Follow links to the video and download to your computer. |
| 3/27 | License to Imagine | Annotated Bibliography assigned. AB resource. |
| 3/29 | Professor off campus; Class cancelled. Exam 3 due. | Rdg: Gauchos, Gerchunoff #1; Gerchunoff #2 at ilearn. |
| 4/03 | Foundational Narratives Rewritten: Gerchunoff's Talmud | Rdg: Scliar, Centaur in the Garden. 1-56 |
| 4/05 | Scliar's Eden | Rdg: Scliar, Centaur in the Garden. 57-197 |
| 4/10 | Class cancelled 4/10-12. | |
| 4/12 | Annotated Bib due. | |
| 4/17 | Jews in Latin America | Rdg: Scliar, Centaur in the Garden. 198-end |
| 4/19 | Centaur finishes | Rdg: Lispector |
| 4/24 | Lispector's Eden | Rdg: Timmerman |
| 4/26 | Jewish Redemptions, Jewish Testimonio | Rdg: Auerbach |
| 5/01 | Jewish Mimesis | |
| 5/03 | Trends in Jewish Writing | |
| 5/08 | Final papers due. | Study Guide for Exam 4 |
| 5/10 | Exam 4 | |
| 5/15 | Finals week |