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TWENTIETH CENTURY CHINESE
FICTION 二十世紀中文小説 |
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CHINESE 521 Fall 2008 CLASS MEETING: 12:35-
13:50PM TUESDAY & THURSDAY |
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Course
Objective and Description: In this
course, students are engaged in pleasure of reading for at least 15
great short stories written by contemporary Chinese writers. We use history, memory and construction of
identity as three focal points to enhance critical reading on Chinese
fiction, humanity depicted the best, created by great writers of the 20th
century. Students are encouraged to exercise their intellectual power using
modes of inquiry, explanation and interpretation while reading stories before
each class and for all in-class discussions. Through their self-paced and
concentrated effort, the participants’ understanding of the selected writers
and their fiction of the Chinese society advances from stage I to II,
beginning with a build-up to “learn to read” and then landing at
the level to “read to learn.” The level of density and challenges of each
story to each participant may be mixed and varied. The participants are
expected to benefit from the assortment of writing of each selected writer
and from group discussions in this class. This class aims to engage all
participants with series of on-going exercise to articulations over their own
chosen subjects through reading, speaking, listening and writing. Instructor: Dr. Hsiu-huei Lin Domizio; Assistant
Professor of Chinese & Chinese Pedagogy Contact: x 83120; hdomizio@sfsu.edu | Office:
Room 341 Humanities Office Hours: Tuesday 11:00-12:00 PM; Thursday 4:00-5:00 PM Grading,
Attendance & University Policy:
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Requirements
and Grading System:
Presentations and paper -mid-term
[25%] and final [25%]: There will be options to work in pair and/or to work individually
for mid-term and for final projects.
Students are required to discuss with the instructor on these events
at least two/three weeks ahead of time. Be sure to submit a powerpoint
and a word document (narrative/essay) on e-files by uploading to iLearn
before deadline. NOTE: On mid-term and final projects- The
written paper of a project is expected be done by a computer for each
term paper. However, if strenuous circumstances arise, students may submit a
hand written paper provided that the hand writing is neat and legible. Late
submissions will affect grades. If a student wishes to have his/her final
paper return, a stamped, self-addressed envelope must be provided to the
instructor ahead of time. Proof read, error-free actions must be done
before submissions. |
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Textbook & Teaching
Materials: History, Memory and Construction of Identity - I
History, Memory and Construction of Identity - II
This includes selected
writings by 1920年代沈從文(蕭蕭); 1930年代張愛玲
(封鎖; 年輕的時候;
傾城之戀); 1960 年代白先勇(遊園驚夢);
1980年代三毛(沙漠中的飯店; 荒山之夜); 1990年代李碧華作品評述;
2000年代王安憶 (談小説); 三毛等人評白先勇。 |
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Relevant Links
on Chinese Literature and Culture |
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Rocky Mt. Review of Lang. & Lit. |
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WK |
DATES |
CONTENT |
TASKS |
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Stage I: HISTORY, MEMORY & CONSTRUCTION OF IDENTITY |
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1 |
8/26 |
Course Orientation 什麽是小説? (What is fiction? By 王安憶) |
Prepare the textbook |
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8/28 |
余華- 1995 - 我没有自己的名字 |
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Identify characters’ historical
significances- ·
submit 3 questions (written) for critical inquiry & discussion ·
BLOG |
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2 |
9/2 |
棉棉- 2000- 一个病人 |
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9/4 |
Quiz #1 |
In-class quiz (30-40 minutes) |
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3 |
9/9 |
裘山山 -1999- 下午茶 |
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9/12 |
劉雲生 - 2000- 遠去的粉蝴蝶 |
·
Identify characters’ historical
significances- ·
submit 3 questions (written) for critical inquiry & discussion ·
BLOG |
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4 |
9/16 |
Quiz #2 |
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9/18 |
梁曉聲 -2000 - 噴壺 |
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5 |
9/23 |
夏商 - 2000 - 二分之一傻瓜 |
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9/25 |
Quiz #3 |
In-class quiz (30-40 minutes) |
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6 |
9/30 |
毕飞宇1995-1996: 哺乳期的女人 |
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Identify characters’ historical
significances- ·
submit 3 questions (written) for critical inquiry & discussion ·
BLOG |
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10/2 |
陆平2000: 白坯院门 |
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7 |
10/7 |
Quiz #4 |
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10/10 |
蘇童 2001: 傘 |
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8 |
10/14 |
王蒙 1990: 阿咪的故事 |
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10/16 |
Mid-term project day: presentation & paper (a hard copy paper & word document and powerpoint files due) |
Mid-term paper: Critique/critical
review on one selected short story |
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Stage II: HISTORY, MEMORY AND
CONSTRUCTION OF IDENTITY |
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9 |
10/21 |
蕭蕭-I (沈從文) |
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10/23 |
蕭蕭-II (沈從文) |
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10 |
10/28 |
沙漠中的飯店 (Restaurant in the Desert by San Mao) |
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10/30 |
張愛玲及其作品特色和電影 |
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11 |
11/4 |
封鎖-I (Seal
Off by Eileen Chang) |
·
Identify characters’ historical
significances- ·
submit 3 questions (written) for critical inquiry & discussion ·
BLOG # prepare and carry out final project ahead of time: choose two stories written by one or two major
writers and carry out a critical comparative study about them. Originality
and organization: List key points in which you substantiate with
arguments/evidence for your positions. Write your very
own critique, interpretation, critical inquiries and reflections in relation
with history, memory and or construction of identity. |
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11/6 |
封鎖-II (Seal
Off by Eileen Chang) |
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12 |
11/11 |
年輕的時候-I (The Youth by Eileen Chang) |
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11/13 |
年輕的時候-II (The Youth by Eileen Chang) |
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13 |
11/18 |
Quiz #5 |
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11/20 |
傾城之戀-I (Love in the Fallen City by Eileen Chang) |
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14 |
11/25 |
傾城之戀-II (Love in the Fallen City by Eileen Chang) |
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11/27 |
傾城之戀-III (Love in the Fallen City by Eileen Chang)- Film |
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15 |
12/2 |
遊園驚夢-I (Wandering in the Garden, Waking from a Dream by 白先勇) |
·
Identify characters’ historical
significances- ·
submit 3 questions (written) for critical inquiry & discussion ·
BLOG ### prepare and carry out final project ahead of time: choose two stories written by one or two major
writers and carry out a critical comparative study about them. Originality
and organization: List key points in which you substantiate with arguments/evidence
for your positions. Write your very own critique, interpretation,
critical inquiries and reflections in relation with history, memory and or
construction of identity |
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12/4 |
遊園驚夢-II (Wandering in the Garden, Waking from a Dream by Xianyong Bai) |
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16 |
12/9 |
遊園驚夢-III (Wandering in the Garden, Waking from a Dream by Xianyong Bai) - Film |
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12/11 |
Final Presentation: hard
copy paper &
word document and powerpoint files due |
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Note: The schedule is subject to change, if pedagogical
needs for adjustment occur. |
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