Cinema Courses

Summer 2012

• CINE 301 Introduction to Cinema Studies and Production (Summer)
• CINE 344 Genre: Horror (Summer - Online)
  

• CINE 102 Introduction to Contemporary Cinema
• CINE 200 Introduction to Cinema Studies
• CINE 200 Introduction to Cinema Studies (Summer)
• CINE 203 Introduction to Cinema Studies and Production
• CINE 203 Introduction to Cinema Studies and Production (Summer)
• CINE 312 Film History II
• CINE 325 Focus on Japanese Cinema
• CINE 325 Focus on Hitchcock
• CINE 325 Focus on Horror
• CINE 340 Critical Studies
• CINE 342 Documentary Film
• CINE 344 Film Genre: Horror
• CINE 344 Film Genre: Horror (Summer)
• CINE 372 Film Theory
  
• CINE 401 National Cinema Italy
• CINE 401 National Cinema France
  
• CINE 401 National Cinema Japan
• CINE 407 History and Film: Art History and Film
• CINE 407 History and Film: Representing the Catastrophic
• CINE 407 History and Film: The Histories of Sexuality
  
• CINE 502 Avant Garde Cinema
• CINE 540 Documentary Form
• CINE 700 Introduction to Graduate Studies
• CINE 721 Non-Narrative
• CINE 722 Narrative and Independent Cinema
• CINE 724 Cinema Theory I
• CINE 726 Cinema Theory II
• CINE 897 Research Project in Cinema Studies
• CINE 898 Master's Thesis

San Francisco Film Society

• Representing the Holocaust
• The Slasher Genre
• Japanese Monsters ATTACK!
• Torture Porn: the Horror Genre After 9/11

Cinema Course at the Jewish Community Center of San Francisco
at The Taube Center for Jewish Life

• Representations Of Destruction: The Holocaust And Film

Art History/ Visual Culture Courses

• The Visual Culture of Catastrophe
• The Ugly in Visual Culture
• Contemporary Japanese Visual Culture

Exhibitions:

• The Depth of Memory, at San Francisco Camerawork (January 2008)
• Reconstructing Memories (November 5th - December 13, 2006)
  
• Collapsing Histories: time, space, and memory (2002 - 2004)

Publications:

• Film and the Holocaust (New York: Continuum, 2011)
• Representing the Catastrophic (New York: Edwin Mellen Press, 2007)
• Reconstructing Memories, exhibition catalogue (Honolulu: University of Hawaii, Art Gallery, 2006).
• “Of Child’s Play and the Japanese Catastrophic Imagination: Katsushige Nakahashi’s Zero Project and On the Day Project – Runit Dome,” in Nakahashi Katsushige: ZEROS - Interacting Memories, exhibition catalogue (Tokyo: Asahi, 2006).
• Aaron Kerner, "Gojira vs. Godzilla," in Mark Franko, ed. Ritual and Event, (New York: Routledge, 2006).
• “Hideaki Anno’s Love and Pop: Enjo-kosai and the Shojo Economy,” in Masami Toku, ed., Shojo Manga: Girl Power! Girls’ Comics from Japan, exhibition catalogue (Chico, CA: Flume Press at Chico State University, 2005): 32 – 35.
  
• Angela Kelly and Aaron Kerner, "The Scent of Positive Lives: (Re)Memorializing Our Loved Ones," Qualitative Inquiry vol. 10, no. 5 (October 2004): 767-787. PDF file.
• Aaron Kerner, “What’s Real About It? Adolescent Female Sexuality in Thirteen,” American Sexuality Magazine vol. 3, no. 4 (August 2005). PDF file.